Usc University of Southern California School of Cinematic Arts Idlwild
USC School of Cinematic Arts students shoot their pupil projects on location at Universal Studios. Photograph by Roberto A. Gómez.
- Degree Programs
- General Requirements
- Minors, International Programs and Summer Program
- Programs
- Courses of Instruction
Departments
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The USC School of Cinematic Arts (SCA) is one of the nation's preeminent centers for the cosmos, study, research and evolution of movie, telly and interactive media. With nearly 200,000 square feet of facilities, the school confers degrees ranging from the bachelor's to the doctorate. SCA is composed of seven divisions: the John C. Hench Division of Animation and Digital Arts; the Sectionalization of Cinema and Media Studies; Motion picture and Boob tube Product; Interactive Media and Games; Peter Stark Producing Programme; the John Wells Division of Writing for Screen and Television; and Media Arts and Practice. The schoolhouse also has 2 organized research units — the Plant for Multimedia Literacy and the Entertainment Engineering Center.
Since its founding in 1929 as the first course of study in picture show at whatever higher or academy in the United States, USC'south movie house plan has consistently set bookish and professional standards for excellence. In improver, the school has a record-breaking number of endowed chairs in the subject area; production facilities that rival industry counterparts and boggling faculty and staff.
Thank you to SCA's location in Los Angeles, students have access to the state's leading film, television, animation and video game producers; world-class literary and talent agencies; libraries and archives brimming with inquiry materials; and alumni that back up the schoolhouse and the men and women in its academic body. The school is as well home to USC's Trojan Vision television station.
The USC Schoolhouse of Cinematic Arts recognizes that a student can only truly excel in his or her chosen area of expertise later on exposure to all elements of the art form. Consequently, there is an accent on cross-disciplinary course work that ensures writers get behind the camera; movie theatre and media studies scholars edit footage; and production majors examine the catechism from a rigorous bookish perspective.
Administration
Elizabeth Grand. Daley, PhD, Dean
Akira Mizuta Lippit, PhD, Vice Dean of Faculty
Michael Renov, PhD, Vice Dean, Bookish Diplomacy
Holly Willis, PhD, Associate Dean, Inquiry
Office of Student Services
(213) 740-8358
Email: admissions@cinema.usc.edu; studentaffairs@cinema.usc.edu
cinema.usc.edu
The John C. Hench Sectionalisation of Animation and Digital Arts
Teresa Cheng, Division Chair
School of Cinematic Arts — Building B 210
(213) 740-3986*
FAX: (213) 740-5869
The Division of Picture palace and Media Studies
Tara McPherson, Division Chair
School of Cinematic Arts 320
(213) 740-3334*
Film and Idiot box Production
Michael Fink, Division Chair
School of Cinematic Arts 434
(213) 740-3317*
Interactive Media and Games Division
Danny Bilson, Segmentation Chair
SCI 201M
(213) 821-4472*
FAX: (213) 821-2665
Media Arts and Practice
Andreas Kratky, Division Chair
School of Cinematic Arts — Edifice I 101
(213) 821-5700*
The Peter Stark Producing Program
Lawrence Turman, Division Chair
School of Cinematic Arts 366
(213) 740-3304
FAX: (213) 745-6652
The John Wells Division of Writing for Screen and Boob tube
David Isaacs, Acting Segmentation Chair
School of Cinematic Arts 335
(213) 740-3303*
FAX: (213) 740-8035
Summertime Program
David Weitzner, Segmentation Chair
School of Cinematic Arts 250
(213) 740-3327*
*For data regarding access, call (213) 740-8358.
Faculty
Steven J. Ross/Time Warner Endowed Dean'south Chair in Movie house-Television: Elizabeth G. Daley, PhD
Dana and Albert "Cubby" Broccoli Endowed Chair in Producing: John Watson, MA
The Marker Burnett Summer Plan Endowed Chair:David Weitzner, BA
The Joseph Campbell Endowed Chair in Cinematic Ideals:Theodore Braun, MFA
The Sergei Eisenstein Endowed Chair in Cinematic Blueprint: Bruce A. Block, MFA
Electronic Arts Endowed Chair in Interactive Entertainment: Tracy Fullerton, MFA
The John C. Hench Endowed Partitioning Chair: Teresa Cheng, BA
Alma and Alfred Hitchcock Chair for the Study of American Picture show: Drew Casper, PhD
The Michael Kahn Endowed Chair in Editing: Nancy Forner, BA
The Mona and Bernard Kantor Endowed Chair in Production: Marker J. Harris, BA
The Kortschak Family Endowed Division Chair in Film and Television Production: Michael Fink, MFA
The George Méliès Endowed Chair in Visual Effects: Michael Fink, MFA
William Cameron Menzies Endowed Chair in Production Pattern: Alex McDowell, BFA
Stephen Chiliad. Nenno Endowed Chair in Television Studies: Ellen Seiter, PhD
Jack Oakie Chair in One-act: Jack Epps Jr., BA
Mary Pickford Foundation Endowed Chair: Doe Mayer, MA
The Katherine and Frank Price Endowed Chair for the Study of Race and Popular Civilization: Todd Boyd, PhD
Kay Rose Endowed Chair in the Fine art of Sound and Dialogue Editing: Midge Costin, MA
Fran and Ray Stark Endowed Chair for the Report of American Motion-picture show: Lawrence Turman, BA
Charles South. Swartz Endowed Chair in Entertainment Engineering: Richard Weinberg, PhD
The T.C. Wang Family Endowed Chair in Cinematic Arts:Akira Mizuta Lippit, PhD
The Haskell Wexler Endowed Chair in Documentary:Michael Renov, PhD
The Robin Williams Endowed Chair in One-act: Barnet Kellman, PhD
Dino and Martha De Laurentiis Endowed Professorship: Mary Sweeney, MA
Microsoft Endowed Professorship: Dennis Wixon, PhD
Presidential Professor of Cinematic Arts: George Lucas, BA
Gauge Widney Professor: Robert Zemeckis, BFA
Provost Professor of Communication, Journalism, and Cinematic Arts: Henry Jenkins, PhD
Distinguished Professor: Marker J. Harris, BA
Professors: Tom Abrams, MFA; Danny Bilson, BA; Bruce Block, MFA; Don Bohlinger, MFA; Mark Bolas, MS; Todd Boyd, PhD; Ted Braun, MFA; Drew Casper, PhD; Teresa Cheng, BA; Elizabeth M. Daley, PhD; Jack Epps Jr., BA; Michael Fink, MFA; Scott S. Fisher, MS; Tracy Fullerton, MFA; Marking J. Harris, BA; David Howard, MFA; Aniko Imre, PhD; David Isaacs, BA; Priya Jaikumar, PhD; Henry Jenkins, PhD; Jeremy Kagan, MFA; Gail Katz, MBA; Barnet Kellman, PhD; Lisa Leeman, BA; Akira Mizuta Lippit, PhD; Doe Mayer, MA; Tara McPherson, PhD; Christine Panushka, MFA; Michael Peyser, BA; Amanda Pope, BA; Michael Renov, PhD; Howard A. Rodman, BA; Ellen Seiter, PhD; Tom Sito, BFA; Kathy Smith, BA; Sheila 1000. Sofian, MFA; Mary Sweeney, MA; Michael Taylor, BA; Lawrence Turman, BA; John Watson, MA; Holly Willis, PhD
Associate Professors: Linda Dark-brown, MFA; J. D. Connor, PhD; Midge Costin, MA; Pamela Douglas, MA; Lan Duong, PhD; Nitin Govil, PhD; Helaine Head, BA; Georgia Jeffries, BA; Andreas Kratky, PhD; Richard Lemarchand, BA; Everett Lewis, MFA; Andrew Nealen, PhD; Laura Isabel Serna, PhD; Peter Sollett, BFA; Dennis Wixon, PhD
Banana Professor: Jeff Watson, PhD
Professors of Practise: Christine Acham, PhD; David Balkan, BA; Irving Belateche, MA; Peter Brinson, MFA; Vicki Callahan, PhD; Christopher Chomyn, MFA; Stephen Movie, BA; Nancy Forner, BA; Pablo Frasconi, BFA; Brenda Goodman, BS; Eric Hanson, BA; Virginia Kuhn, PhD; Alexander McDowell, BFA; Thomas Miller, Doctor, MFA; Barbara Nance, BA; Michael Patterson, BFA; Jason Squire, MFA; Sonja Warfield, BA; William Yahraus, MA
Associate Professors of Practice: Steve Albrezzi, BA; Kiki Benzon, PhD; Richard Burton, BA; Reine-Claire Dousarkissian, MA; DJ Johnson, MFA; Elisabeth Mann, MFA; Angelo Pacifici, BArch; Jane Pinckard, BA; Michael Provart, MFA; Elizabeth Ramsey, PhD; Candace Reckinger, MFA; John Rosenberg, MFA; Mark Shepherd, MFA; Michael Uno, MFA; Jennifer Warren, BA; Shelly Wattenbarger, MFA; David Weber, MFA; Tristan Whitman, MFA
Assistant Professors of Practise: Michael Bodie, MFA; Evan Hughes, MA; Margaret Moser, MFA; Maks Naporowski, BA; Gabriel Peters-Lazaro, PhD
Research Professor: Richard Weinberg, PhD
Research Acquaintance Professor: Marientina Gotsis, MFA
Research Adjunct Associate Professor: Perry Hoberman
Visiting Professors: David MacMillan; Robert Townsend
Part-time Kinesthesia: Bayo Akinfemi; Jesse Albert; Ioan Allen; Kate Amend; Yvette Amirian; Kari Antholis; Susan Arnold; Andrew Balis; Larissa Banking concern; David Baron; Deborah Baron; Craig Barron; Maurice Bastian; Janet Batchler; David Bazelon; Diego Berdakin; Sandra Berg; Alan Berger; Fred Bernstein; Dick Cake; Mitch Block; Skye Borgman; John Bowman; Elizabeth Brauer; John Brennan; Paul Bricault; Musa Brooker; Michael Broukhim; Robert Chocolate-brown; Bonnie Bruckheimer; Robert Buerkle; Ed Callahan; Trey Callaway; Volition Carter; Susan Cartsonis; Phil Casnoff; Michael Cassutt; Julian Cautherly; Ramiro Cazaux; Alessandro Ceglia; Bonnie Chi; Peter Chung; Jacque Cofer-Edmonds; Simon Coke; Michael Connors; Akela Cooper; Ken Cosby; Sean Covel; Tim Curnen; Martin Daniel; Kristen W. Davis; Steven Day; Johanna Demetrakas; Jeremy Deneau; Dariush Derakhshani; Annie DeSalvo; Heather Desurvire; Vincent Diamante; Jon Dudkowski; Frederic Durand; James Egan; Peter Exline; David Fain; Siavash Farahani; Diane Farrington; Ben Fast; Ron Fernandez; Bruce Finn; Paul Foley; Eric Freiser; Bonnie Garvin; Paul Gerard; Jeffrey Glaser; David Goetsch; Eric Goldberg; Jane Goldenring; Jarrett Golding; Richard Goldsmith; Margie Goodspeed; Ian Goodwin; Janet Graham-Borba; Mimi Gramatky Stradling; Amanda Greenish; Sharon Greene; Hashemite kingdom of jordan Halsey; Jeffrey Hammer; Suzanne Hargrove; Chevon Hicks; John Hight; Liz Hinlein; Joe Hoffman; Todd Hoffman; Alan Holzman; Sean Hood; Caroline Hu; Joan Hyler; Jason Inouye; Alex Jablonski; Brandon Jeffords; Toni Ann Johnson; Juli Juteau; Suhail F. Kafity; Aaron Kaplan; Roeban Katz; Thomas Kemper; Liz Keyishian; Tim Kirkman; Randal Kleiser; Michael Kontopoulos; Jeffrey Korchek; Paul Kowalski; Stu Krieger; Jon Kroll; Scott Kroopf; Lucas Kuzma; Morgan State; Sheldon Larry; Clifford Latimer; Ken LaZebnik; Elizabeth Lee; Robert Levin; Andrew Licht; Dan Lupovitz; John Mahoney; Laird Malamed; Leonard Maltin; Carolyn Manetti; David Maquiling; Peter Marx; Frank McAdams; Jim McGinn; Rebekah McKendry; Mary McNamara; Bill Mechanic; Dagen Merrill; Chris Kingdom of morocco; Robert Nashak; Rob Nederhorst; Sahand Nikoukar; Joseph Nussbaum; Dave O'Brien; Jim O'Keeffe; Sev Ohanian; Joseph Olin; Bob Osher; Joel Parker; Rick Parks; Joe Peracchio; Rod Perth; Brian Peterson; Paul Petschek; Wendy Phillips; Mary Posatko; Anne Postman; Kate Powers; Wayne Powers; Pecker Prady; Ross Putman; Robert Ramsey; Phil Ramuno; Gary Randall; Amy Reed; Sandy Reisenbach; Vincent Robert; Peter Robinson; Jason Rosenfield; Roland Rosenkranz; Torrie Rosenzweig; Jeremy Royce; Nina Sadowsky; Leander Sales; Mike Saltzman; James Savoca; Julie Sayres; Nevin Schreiner; Phil Schwartz; Debby Seibel; Joselito Seldera; Bita Shafipour; Rick Shaine; Toi Juan Shannon; Bobby Smith, Jr.; Bethany Sparks; Jim Staahl; Noah Stern; Sean Stewart; Scott Sturgeon; Danny Sussman; Neely Swanson; Beth Sweeney; Ella Taylor; Aaron Thomas; John Underkoffler; Marcel Valcarce; Pam Veasey; Ligiah Villalobos; Jeffrey Vlaming; Gary Wagner; Dahvi Waller; Factor Warren III; Gene Warren Jr.; Miles Watkins; Jordan Weisman; David Weitzner; William Whittington; Tyger Williams; Hunt Winton; Russ Woody; Frank Wuliger; Chris Wyatt; Maureen Yeager; Gil Zimmerman
University Professor Emerita: Marsha Kinder, PhD
Professor Emerita: Judy Irola
Professors Emeritus: Ron Curfman, MFA; Trevor Greenwood, MA; Richard Harber, MA; David E. James, PhD; Richard Jewell, PhD; Edward Kaufman, PhD; Woody Omens, MA; Morton Zarcoff, MA
Associate Professor Emeritus: Robert Miller, PhD
Professor of Practice Emeritus: Jed Dannenbaum, PhD
Degree Programs
The USC Schoolhouse of Cinematic Arts offers professional person and academic degree programs at the available'southward, chief'southward and doctoral levels.
Available of Arts — Animation and Digital Arts
This program combines a wide liberal arts background with specialization in a profession. The degree is granted through the USC Dornsife College of Messages, Arts and Sciences in conjunction with the School of Cinematic Arts. The degree requires 128 units. For more than information, encounter here.
Available of Arts, Cinema and Media Studies
This degree is granted through the USC Dornsife College of Messages, Arts and Sciences in conjunction with the School of Cinematic Arts and requires 128 units. For more information, encounter here.
Bachelor of Arts, Cinematic Arts, Film and Television Product
This degree is a two-year program for transfer students. The BA is granted through the USC Dornsife College of Messages, Arts and Sciences in conjunction with the School of Cinematic Arts and requires 128 units. For more information, see here.
Bachelor of Fine Arts, Cinematic Arts, Film and Boob tube Product
This degree is a four-twelvemonth programme just available to incoming freshmen. The BFA in Cinematic Arts, Moving-picture show and Tv set Production is granted through the School of Cinematic Arts and requires 128 units. For more than information, see here.
Bachelor of Arts — Interactive Entertainment
Dedicated to immersive experience design and emerging technologies, this programme is for students who are driven to introduce at the intersection of traditional media, games, and whatever happens next. The Available of Arts in Interactive Entertainment is granted through the USC Dornsife College of Messages, Arts and Sciences in conjunction with the School of Cinematic Arts. The degree requires 128 units. For more information, see here.
Bachelor of Arts — Media Arts and Practice
This program is for students who want to harness the power of digital storytelling and media design to communicate beyond diverse fields across the entertainment industry. This degree is granted through the USC Dornsife Higher of Letters, Arts and Sciences in conjunction with the School of Cinematic Arts. The degree requires 128 units. For more data, see here.
Available of Fine Arts — Writing for Screen and Television
This is a unique plan designed for students who wish to receive intensive training for not-fiction and fiction writing for screen and television set. The BFA in Writing for Screen and Boob tube is granted through the Schoolhouse of Cinematic Arts. The degree requires 128 units. For more data, run across hither.
Available of Scientific discipline in Business Administration (Cinematic Arts)
This program offers a unique coupling of the USC Marshall School of Business and the School of Cinematic Arts in a four-yr interdisciplinary degree. In improver to the Marshall School of Business concern core classes, the students will besides take a total of 24 units from the School of Cinematic Arts. This competitive program is offered to freshmen admitted to the Marshall School of Business as Business Scholars. Upon completion of all requirements, students volition receive a Available of Scientific discipline in Business organisation Administration (Cinematic Arts). Run into the Marshall School of Business for course requirements.
Primary of Arts, Cinema and Media Studies
This degree is granted by the USC Graduate School in conjunction with the School of Cinematic Arts. This program requires 36 units. For more than information, see here.
Master of Arts, Cinematic Arts (Media Arts, Games and Wellness)
This programme requires 36 units. For more information, see here.
Master of Fine Arts, Cinematic Arts, Picture show and Television Production
This professional caste requires 52 units. For more information, come across hither.
Chief of Fine Arts, Writing for Screen and Television
This program requires 44 units. For more information, run across here.
Main of Fine Arts, Blitheness and Digital Arts
This program requires 50 units. For more information, see here.
Master of Fine Arts, Interactive Media
This program requires 50 units. For more than information, encounter here.
Master of Fine Arts, Interactive Media (Games and Health)
This program requires l units. For more information, meet here.
Master of Fine Arts, Producing for Flick, Television, and New Media
The Peter Stark Producing Plan requires 44 units. For more data, see here.
Doctor of Philosophy, Cinema and Media Studies
The PhD is based on a program of study and inquiry culminating in the completion of a dissertation in the major discipline. A minimum of 68 semester units (exclusive of dissertation registration) beyond the baccalaureate is required. Applicants who have completed a Bachelor of Arts or Master of Arts degree in Cinematic Arts, or a closely related field, may utilize to the PhD program. The doctoral degree is granted past the Graduate School in conjunction with the School of Cinematic Arts. For more information, see hither.
Dr. of Philosophy, Cinematic Arts (Media Arts and Practice)
The PhD in Media Arts and Practice program offers a rigorous and creative environment for scholarly innovation as students explore the intersection of design, media and critical thinking while defining new modes of inquiry and scholarship for the 21st century. Core to the program is its transdisciplinary ethos; after completing foundational class work, students design their own curricula, drawing on expertise across all divisions and research labs within the School of Cinematic Arts. The doctoral degree is granted by the Graduate School in conjunction with the School of Cinematic Arts. For more information, see here.
Writing for Screen and Tv Certificate
The Writing for Screen and Television Certificate provides an established writer, domestic or international, with a one-year program of written report. It is meant to conform a author who has already attained meaning recognition and would like to learn the craft of screenwriting. Sixteen units are required. For more information, see here.
Graduate Certificate in the Business of Entertainment
This certificate plan provides graduate-level education in diverse aspects of the business of picture, tv and new media. It requires sixteen units. For more information, meet here.
Graduate Certificate in Cinematic Arts Archiving and Preservation
This document program is designed specifically for students and practitioners who desire to use their teaching and skills for advancing the knowledge of film, television and interactive media through the preservation and dissemination of the historical artifacts that course the underpinnings of scholarship in the performing arts. Through this program, students will gain the noesis, tools and skills necessary to preserve the materials that make upward the history of entertainment and to lead scholars through the research maze to the completion of books or media in their fields of study. This document requires 12 units. For more information, encounter here.
Graduate Certificate in Digital Media and Culture
This certificate program is for graduate students from beyond the USC campus who want to explore the shifting nature of scholarly expression, pedagogical practise and research in the 21st century. It combines seminars with hands-on, lab-based workshops devoted to bones image manipulation, video editing, social media and Web pattern to facilitate sophisticated critical thinking and practice in and through multimedia. The program requires 12 units. For more information, see here.
Full general Requirements
Acceptance of Transfer Units
The School of Cinematic Arts does not accept courses taken in pic and/or television set product at other institutions to fulfill degree and small requirements. Basic picture show or telly history courses can sometimes be accepted for transfer credit.
No transfer credit will be accepted in lieu of CTPR 290, CTPR 294, CTPR 295, CTPR 310, CTPR 507 and CTPR 508 and whatsoever avant-garde production courses.
No transfer credits are accepted for the Peter Stark producing rail, the graduate programs in animation and digital arts, screenwriting and interactive media.
Transfer policy for the PhD requires advisement and approval of the sectionalization chair.
Waiver of Course Requirements
Under special circumstances waivers and substitutions are granted; check with the Cinematic Arts Office of Educatee Diplomacy. All course waivers and substitutions must be canonical by the associate dean of academic affairs.
The following courses cannot be waived for students majoring in Flick and Television Production: CTIN 584a, CTIN 584b, CTIN 584c, CTIN 584z, CTPR 290, CTPR 294, CTPR 295, CTPR 310, CTPR 480, CTPR 507, CTPR 508, CTPR 546L, CTPR 547L, CTPR 581a, CTPR 581b, CTPR 581c, CTPR 581z, CTPR 582a, CTPR 582b, CTPR 582z, CTPR 583, CTPR 587a, CTPR 587b, CTPR 587c, CTPR 587z.
Pupil Advisement
Each plan has its own advisement organisation. Check with the program administrator or with the Cinematic Arts Office of Educatee Diplomacy. Cinematic Arts student diplomacy counselors are bachelor to answer questions most degree programs, grades, advisement and other matters.
Grade Point Average Requirements
A minimum grade of C, ii.0 (A = 4.0), must be earned in all required and prerequisite courses in society to progress to the adjacent course level. Students may attempt to improve a grade lower than a C (2.0) but one time by registering and retaking the specific grade. Departmental approval is required in social club to retake a School of Cinematic Arts course.
In improver, a minimum course point boilerplate must be achieved to earn all cinematic arts degrees (meet the individual program descriptions). For instance, undergraduates and graduates must earn a minimum grade of C (2.0) in all required cinematic arts courses. Nevertheless, graduate students must also reach a B (three.0) boilerplate in all courses required for the caste.
Undergraduate students in the film and television production program who reach a grade lower than a C (2.0) in CTPR 290 (BFA only), CTPR 294, CTPR 295 or CTPR 310, and graduate students in the product program who earn a grade lower than a C (2.0) in CTPR 507 or CTPR 508 may petition to retake the required sequence only once. Permission to retake any prerequisite or cadre production courses requires prior departmental committee approving.
Students who practise non satisfy the degree requirement afterward repeating a class will be disqualified from the program.
Tuition and Fees (Estimated)
Students in the School of Cinematic Arts' graduate programs pay differential tuition (see the Tuition and Fees section for current tuition rates). Undergraduate programs are assessed the university-wide tuition rate. In addition, some classes are charged lab fees, as noted in the Schedule of Classes, and insurance fees. The academy reserves the right to assess new fees or charges. The rates listed are subject to change without notice by action of the Lath of Trustees.
Omnipresence Policy
The School of Cinematic Arts curriculum relies heavily on in-class participation and interaction betwixt faculty and students. Many of our courses are taught in a collaborative workshop surround and our theoretical lectures are driven through in-depth classroom discussion and analysis. Nosotros hold collaboration and effective criticism equally foundational to all of our learning environments and essential to the methodologies of our didactics. Student attendance is not merely primal, but mandatory for the structure and success of our program for both the individual pupil and the educational experiences of other students within our community.
Minors, International Programs and Summertime Program
Minor in Animation and Digital Arts
The modest in animation offers students an introduction to the theory and practice of animation, including its human relationship to the history of art and cinema, creative writing, and bones film production. It provides students with an opportunity to create both personal and collaborative work in a wide range of genres, from traditional character to contemporary experimental and computer blitheness. The program requires 24 units. For more information, see hither.
Minor in Cinematic Arts
A minor in cinematic arts is available to USC undergraduate students in all schools and departments. The minor provides the opportunity for students to go familiar with various aspects of media study. The programme requires twenty units. For more than data, see here.
Pocket-sized in Comedy
The modest in one-act is designed to train students in the cosmos of comedic entertainment in motion picture, goggle box and new media. The plan utilizes both analysis courses and creative workshops to railroad train students in comedic theory and exercise. Through elective choices students may focus their studies on a number of cinematic disciplines as they pertain to the creation of comedic content, including writing sit down-coms, directing comedic actors and producing sketch comedy. The program requires 16 units. For more information, see hither.
Minor in Digital Studies
The modest in digital studies explores the rich potential of digital media for critical analysis and creative discovery. Learning the exciting and dynamic potential of a broad assortment of tools and technologies, students create innovative projects, from photograph essays to Web-based documentaries, from interactive videos to sophisticated Websites, and from typography in motion to three-D visualizations. The programme requires 20 units. For more data, see here. Modest students may also cull to earn an Honors designation by completing six additional units of course work, culminating in a capstone thesis during the educatee's last year.
Minor in Documentary
The minor in documentary is designed to railroad train students in the grooming and product of documentary media. Courses are designed to give students insight into the history of documentary as well as feel with both the traditional and emerging forms of the genre. For more information, see hither.
Minor in Entertainment Manufacture
The minor in entertainment industry provides students interested in media content cosmos with a focused curriculum that will give them insight into the economic factors and professional person practices that influence the creative process, and how they interact with social, historical, technical and artful elements. For more information, see here.
Minor in Time to come Cinema
The pocket-size in Future Picture palace explores the frontier of audiovisual storytelling building on the cutting border research within the Schoolhouse of Cinematic Arts. Students will explore the creative and technological transformations of an industry in transition every bit picture palace becomes live, playable, immersive, mobile, virtual, crowdsourced and more. The plan requires 20 units. For more information see here.
Modest in Game Animation
The skills of the modernistic animator, visual furnishings artist, motion capture professional and many others are of great value in the games industry when paired with an understanding of how these assets can be used in games and systems. The game animation minor provides an educational path that teaches both systems thinking and the skills and inventiveness of an animator. The programme requires 24 units. For more than information, see here.
Pocket-size in Game Sound
Game audio professionals must not only be competent in ane area (due east.g., expressly in music composing or in sound recording), only also in other areas of audio and in theories of procedurality and interaction. This minor provides a grounding in game design and systems thinking, while providing a theoretical backing and skills in audio blueprint and composition to ready students to design successful sound for the games manufacture. The programme requires 24 units. For more than information, see hither.
Minor in Game Design
Design for games is a young, exciting field applicable to media artists working all over the globe, in different aspects of the manufacture and with many unlike tools. The game design modest teaches bones iterative design and prototyping skills while providing students the opportunity to explore design for new technologies and the skills of user assessment and usability testing. The plan requires 24 units. For more information, come across hither.
Minor in Game Entrepreneurism
The modern media, engineering science and entertainment fields are built on the backs of new businesses and new ideas. To get-go a successful business, yous need skills and noesis of the processes for setting up a business concern, finding investment and turning your creative project from prototype to finished project. The game entrepreneurism small provides an educational path that teaches hard business thinking for creative entrepreneurs. The program requires 24 units. For more data, see hither.
Minor in Game Studies
Games are a major cultural grade, with game sales at present exceeding box function revenue in the United States. Attention to games and interactive media is growing, and it has become necessary to sympathize them as meaningful systems, reflect on their cultural influence, and to assistance guide their evolution with insightful criticism. The game studies minor prepares students with fundamental underpinnings in media criticism and games. For more information, encounter here.
Small-scale in Game User Enquiry
Game and interaction design are deeply dependent upon human-figurer interaction and the power to use inquiry methods to improve player experience. This small is designed to give students an underpinning in game design, interface design and inquiry methods, while didactics a full set of skills for playtesting and usability practice. The program requires 24 units. For more information, see here.
Small-scale in Immersive Media
The minor in immersive media is designed to train students to create projects in virtual reality, augmented reality, and other immersive media formats. The core program requirements provide the solid fundamentals needed to sympathise, conceive of, and create immersive work. Through elective choices students may focus their studies on theory, on specific fields of immersive, on creative expression, or on building technology. The programme requires 24 units. For more data, meet here.
Minor in Media and Social Change
The pocket-sized in media and social change provides the opportunity for students who are interested in media content cosmos and research to take classes in a focused curriculum on the diverse aspects of media for change. Students will gain insight into the professional practices of creating media content, analyzing existing content, and learning how they can influence the future by integrating social bug into the piece of work they are doing in related fields. The program requires 22 units. For more information, see hither.
Minor in Science Visualization
The small-scale in science visualization offers an introduction to science visualization methodology and practice focused in an area of relevant research. The minor is structured to provide the skills and knowledge needed in scientific discipline visualization, and volition culminate in a capstone project under the shut supervision of faculty in both blitheness and science. The program requires xvi units. For more than information, see here.
Small-scale in Screenwriting
The small-scale in screenwriting provides thorough grooming in the craft of writing for screen and television. Students learn the fundamentals of character, conflict and scene structure and build on their skills through each grade as they write characteristic and goggle box scripts in all genres and explore areas of their interest. Students may utilise in the spring or autumn semester. The program requires 16 units. For more information, see here.
Pocket-sized in Themed Entertainment
From cruise ships to casinos to immersive educational retreats, themed entertainment design involves submerging a real, live human being being into a story in a truly robust, physical way. Every bit new tools for amusement and education develop, they continually push button toward enabling players to completely become the heroes and heroines of their own stories. The themed amusement minor focuses on history, theory and skills of themed amusement blueprint. The program requires 24 units. For more than information, encounter hither.
Minor in iii-D Animation in Cinematic Arts
The minor in 3-D blitheness in cinematic arts offers an introduction to bones animation principles and history, equally well as creative and skill-based instruction in 3-D computer blitheness. Through constituent choices students may focus their studies on their specific area of interest, including visual effects, movement capture, virtual reality, modeling, or character animation. The programme requires sixteen units. For more information, run across here.
Small in Cinema-Television for the Health Professions
This 24-unit minor is designed for students who plan to enter careers or professional programs in medicine afterward graduation and are interested in working with film and idiot box producers to disseminate accurate health information to the public. See the Keck School of Medicine of USC for course requirements.
Minor in Video Game Design and Management
The video game design small integrates theoretical concepts and applied skills to prepare students for a career in interactive amusement, specifically the video game industry. Through integration of ii major disciplines (cinematic arts and it), students will be exposed to a variety of blueprint concepts related to creating video games. Encounter the Information Technology Program for course requirements. For specific information on access and awarding procedures, contact the Schoolhouse of Cinematic Arts at (213) 821-2515 or the Information Technology Program at (213) 740-4542.
Pocket-sized in Performing Arts Studies
The minor in Performing Arts provides an interdisciplinary inquiry into the nature and aesthetics of the performing arts. Information technology combines the disciplines of cinematic arts, dance, music and theatre. The minor is a unique course of written report that looks at how the performing arts contribute to a culturally literate society. See USC School of Dramatic Arts for requirements.
International Programs
Studio Arts College International
John C. Hench Animation and Digital Arts and the Division of Media Arts and Practice jointly offering, with the Roski School of Art and Design, a fall semester abroad at Studio Arts College International (SACI) in Florence, Italia. Undergraduate students will be required to take equivalent classes in blitheness and media arts while also benefiting from the wide range of liberal arts courses offered at SACI.
Global Exchange Workshop
"Documenting the Global Urban center: Los Angeles and Beijing," is an intensive, vii-week workshop in documentary filming that pairs graduate students from the USC School of Cinematic Arts and the Communication University of China (CUC) to make brusque documentaries on Los Angeles or Beijing every bit global cities. The program is held in Los Angeles or Beijing in alternate years. It volition exist held in Los Angeles in summertime 2019. Participating students enroll in CTPR 515 Global Commutation Workshop (ii units).
With faculty guidance from both universities, the students must negotiate cultural differences both in front of and behind the camera. In the procedure, both students and faculty directly experience the other culture and learn how it defines globalism in general, sees its ain city in global terms, combines theory and practice, and processes a new set of perceptions and lived experience.
Interested students should contact Professor Mark Harris of the division of Picture and Video Production at (213) 740-3319, or at mharris@cinema.usc.edu. Airfare to Mainland china and lodging expenses in Beijing are provided for all students accustomed into the course.
Summer Program
The USC School of Cinematic Arts Summer Program is a six-week plan that offers classes from different facets of the entertainment manufacture. Participants from around the earth have an opportunity to attend intensive, creatively demanding and satisfying filmmaking courses.
Modest
- • 3-D Animation in Cinematic Arts Minor
- • Animation and Digital Arts Minor
- • Cinematic Arts Minor
- • Comedy Small
- • Digital Studies Small-scale
- • Documentary Small
- • Entertainment Industry Minor
- • Future Movie theatre Minor
- • Game Animation Pocket-sized
- • Game Audio Small-scale
- • Game Design Minor
- • Game Entrepreneurism Minor
- • Game Studies Small
- • Game User Enquiry Pocket-size
- • Immersive Media Small-scale
- • Media and Social Change Minor
- • Science Visualization Minor
- • Screenwriting Pocket-sized
- • Themed Entertainment Minor
Graduate Certificate
- • Business of Entertainment Graduate Certificate
Movement Picture Producing
Note: Instructor availability for a particular course or department cannot be guaranteed.
- • CMPP 541a Producing Workshop
- • CMPP 541b Producing Workshop
- • CMPP 548 Introduction to Producing for Tv
- • CMPP 550 Script Analysis for the Producer
- • CMPP 560 Script Development
- • CMPP 561 Motion Film and Television Marketing
- • CMPP 563 Producing Symposium
- • CMPP 564 Digital Media and Entertainment
- • CMPP 565 Scheduling and Budgeting
- • CMPP 566 Finance
- • CMPP 568 Producing for Television
- • CMPP 569 Seminar on Non-Mainstream Producing
- • CMPP 570 Advanced Television
- • CMPP 571 Producing the Screenplay
- • CMPP 589a Graduate Film Business Seminar
- • CMPP 589b Graduate Film Business Seminar
- • CMPP 591 Producing Practicum
- • CMPP 592 Individual Project Seminar
- • CMPP 599 Special Topics
Cinematic Arts
Annotation: Teacher availability for a item form or section cannot be guaranteed.
- • CNTV 101 Reality Starts Here
- • CNTV 325 Film and Digital Cinematography
- • CNTV 332 The Fine art of Move Picture Editing
- • CNTV 367 The Music Video: Business organisation and Practise
- • CNTV 370 3-D Blitheness for Moving-picture show and Video
- • CNTV 372 Developing the Screenplay
- • CNTV 375 Breaking Into the Entertainment Manufacture
- • CNTV 390 Special Bug
- • CNTV 392 Beginning Digital Filmmaking
- • CNTV 393 16mm Filmmaking: Structuring Scenes That Work
- • CNTV 405 Studio Producing and Directing
- • CNTV 410 Non-Fiction Filmmaking
- • CNTV 411 Directing Intensive
- • CNTV 413 Digital Editing
- • CNTV 415 Commercial Production: The Fine art of the 60-2d Story
- • CNTV 419 Within the Business of Film and Television
- • CNTV 420 Independent Feature Filmmaking
- • CNTV 427 The Art and Commerce of Independent Film
- • CNTV 440 The Business of the Entertainment Industry: Motion Pictures, Television, Animation, Video Games, and Interactive Entertainment
- • CNTV 441 Business and Cinematic Arts Amusement Practicum
- • CNTV 457 The Entertainment Entrepreneur: Getting Your First Projection Made
- • CNTV 458 Producing and Marketing Feature Length Films
- • CNTV 463 Television: Integrating Creative and Concern Objectives
- • CNTV 467 The Hereafter of Digital Media and the Entertainment Industry
- • CNTV 474 Digital DNA: Media Redefined
- • CNTV 490x Directed Research
- • CNTV 495 Internship in Cinematic Arts
- • CNTV 499 Special Topics
- • CNTV 501 Cinematic Arts Seminar
- • CNTV 521 The World of the Producer
- • CNTV 522 The Television Industry: Networks, Cablevision and the Cyberspace
- • CNTV 523 Feature Film Financing and the Studio Organisation
- • CNTV 524 Digital Technologies and the Entertainment Industry
- • CNTV 525 Entertainment Marketing in Today'south Digital Environment
- • CNTV 530 Cinematic Ethics
- • CNTV 561 Publicity for Cinema and Tv
- • CNTV 562 Seminar in Flick Business concern
- • CNTV 563 The Business of Representation
- • CNTV 589 Graduate Film Seminar
- • CNTV 590 Directed Research
- • CNTV 594a Main's Thesis
- • CNTV 594b Chief's Thesis
- • CNTV 594z Master's Thesis
- • CNTV 595 Professional Practicum
- • CNTV 599 Special Topics
- • CNTV 794a Doctoral Dissertation
- • CNTV 794b Doctoral Dissertation
- • CNTV 794c Doctoral Dissertation
- • CNTV 794d Doctoral Dissertation
- • CNTV 794z Doctoral Dissertation
Animation
Note: Teacher availability for a item course or department cannot be guaranteed.
- • CTAN 101L Introduction to the Art of Animation
- • CTAN 102L Introduction to the Art of Movement
- • CTAN 200g The Ascension of Digital Hollywood
- • CTAN 201L Intermediate Animation Production
- • CTAN 202L Introduction to 3-D Character Animation
- • CTAN 301L 3-D Graphic symbol Performance Animation
- • CTAN 302L Expanded Concepts in 2-D/3-D Animation
- • CTAN 305 Professionalism of Animation
- • CTAN 330 Blitheness Fundamentals
- • CTAN 336 Ideation and Pre-Production
- • CTAN 401a Senior Project
- • CTAN 401b Senior Projection
- • CTAN 410 Audio Pattern for Blitheness and Immersive Media
- • CTAN 420 Concept Pattern for Blitheness
- • CTAN 423L Principles of Digital Blitheness: Visualizing Science
- • CTAN 432 The World of Visual Effects
- • CTAN 435 Story Fine art Evolution
- • CTAN 436 Writing for Animation
- • CTAN 443L Character Evolution for 3-D Animation and Games
- • CTAN 448 Introduction to Movie Graphics — Animation
- • CTAN 450a Blitheness Theory and Techniques
- • CTAN 450b Blitheness Theory and Techniques
- • CTAN 450c Animation Theory and Techniques
- • CTAN 451 History of Animation
- • CTAN 452 Introduction to 3-D Figurer Animation
- • CTAN 455L Organic Modeling for Blitheness
- • CTAN 460 Grapheme Design Workshop
- • CTAN 462 Visual Effects
- • CTAN 463L Artistic Workflow in Visual Effects
- • CTAN 464L Digital Lighting and Rendering
- • CTAN 465L Digital Furnishings Animation
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Source: https://catalogue.usc.edu/content.php?catoid=11&navoid=3445
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